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Frank “The Irishman” Sheeran is a man with a lot on his mind. The former labor union high official and hitman, learned to kill serving in Italy during the Second World War. He now looks back on his life and the hits that defined his mob career, maintaining connections with the Bufalino crime family. In particular, the part he claims to have played in the disappearance of his life-long friend, Jimmy Hoffa, the former president of the International Brotherhood of Teamsters, who mysteriously vanished in late July 1975 at the age of 62.
Duration: 209 min
Released: 2019
IMDb Rating: 8.7/10 (9,801 Votes)
Stars: Robert De Niro, Al Pacino, Jesse Plemons, Anna Paquin
Directors: Martin Scorsese
Writers: Steven Zaillian, Charles Brandt
Year: 2019
The Irishman (2019) stands as a monumental work in the crime and biography genres, directed and written by the legendary Martin Scorsese, who is renowned for his masterful storytelling and profound influence on the gangster movie genre. This film is an epic saga that delves deep into the life of Frank Sheeran, a truck driver-turned-hitman who becomes involved with mobster Russell Bufalino and his crime family, including his dealings with the powerful Jimmy Hoffa.
Plot Overview:
The movie chronicles decades of American history through the eyes of Frank Sheeran, portrayed by Robert De Niro. The narrative explores themes of loyalty, betrayal, and regret as it follows Frank’s journey from a World War II veteran to a trusted enforcer for the Bufalino crime family. The story's emotional depth is heightened by its exploration of Frank’s complicated relationship with labor union leader Jimmy Hoffa (played by Al Pacino), whose meteoric rise and mysterious disappearance are central to the film’s intrigue.
The Irishman is not just about crime and mob violence; it’s a reflective tale about aging, the consequences of one's choices, and the elusive nature of memory. As Frank recounts his life story in old age, viewers are taken through a richly detailed history that juxtaposes personal reflection with the gritty realities of organized crime.
Main Cast:
Other notable actors include Harvey Keitel and Ray Romano, who contribute to the richly woven fabric of this crime saga.
Director and Writer:
Martin Scorsese, both the director and writer, adapts the film from the book "I Heard You Paint Houses" by Charles Brandt. Scorsese’s meticulous direction and scriptwriting bring a deeply humanistic and historical perspective to what could have been a conventional mafia story. His care for character development and mood-setting elevates the film, making it an introspective piece on time and consequence.
The film’s scope spans decades, which is visually represented through groundbreaking digital de-aging technology that allows the actors to portray their characters from their younger years seamlessly, enhancing the storytelling without distracting from the performances.
Genre and Style:
As a biography and crime movie, The Irishman offers a detailed and realistic portrayal of organized crime in mid-20th century America. The pacing is deliberate, affording audiences the opportunity to digest character developments and thematic nuances. The dramatic and often somber tone is supported by a haunting score and a carefully curated soundtrack that bolsters the film’s atmosphere.
Reception and Legacy:
The Irishman was widely acclaimed for its direction, performances, and technical achievements, especially the innovative visual effects. It provokes thought about history, loyalty, and morality, cementing itself as a modern classic within both Hollywood and crime cinema. Though it runs over three hours, the film’s engrossing narrative holds the audience's attention throughout.
In conclusion, The Irishman is an essential watch for anyone interested in the complexities of human nature entangled with organized crime history, brought to life by legendary talents and directed by one of the greats of cinema, Martin Scorsese. It is a sophisticated, introspective, and richly layered film that stands as a monumental achievement in contemporary filmmaking.
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