Supari (2003)


Supari (2003)

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Aryan Pandit lives a middle-class lifestyle with his family in Nasik, India, where the entire family depend on his salesman dad’s earnings. He re-locates to Bombay’s St. Andrews College, has big dreams of being wealthy and driving a red Ferrari. He befriends 3 other middle-classed youth, Papad, Mushy, and Chicken. He borrows money from Matka Rajan, gambles it, loses everything, is unable to re-pay, and as a result Rajan sets his goons on him. He goes to a man named Baba for help, who in turn takes him to a Mamta Shekari, who offers to hire him as a hit man, agrees to pay him Twenty thousand Rupees for every killing, so that he can re-pay his gambling loan. Aryan reluctantly accepts, is trained by Baba to shoot a gun, and kills his first target, none other than Rajan himself. He tells his friends about his good fortune, and they too join forces with him. In all killing contracts they are provided with a photograph, the location, and are instructed to look at the photo just 15 minutes before killing the person. In this manner the friends’ enjoy their new-found wealth. When Aryan’s Parsi girlfriend, Dilnawaaz finds out, she wants him to quit, which he does, but his friends refuse to let go of this easy life and money. Shortly thereafter, the trio are given a contract, the location is Bhuleshwar, and shortly before the killing they look at the photograph – the photo is none other than that of Aryan. And the trio know that it is too late to back out of this particular Supari (Contract killing).

Duration: 142 min

Released: 2003

IMDb Rating: 5.0/10 (96 Votes)

Genre: Crime, Drama, Hindi Movies

Stars: Purab Kohli, Rahul Dev, Uday Chopra, Nandita Das

Directors: Padam Kumar

Writers: Padam Kumar, Atul Sabharwal, Mushtaq Sheikh, Sutapa Sikdar, Anuradha Tiwari

Year: 2003

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Supari (2003): A Deep Dive into the Crime Drama

Introduction

Released in 2003, Supari is a gripping Hindi crime drama that delves into the dark and dangerous world of contract killing, weaving a tale of ambition, friendship, desperation, and the unforeseen consequences of one's choices. Directed by Padam Kumar, the film offers a raw and realistic portrayal of the lives of young men ensnared by the underworld, drawing the audience into a labyrinth of crime and moral dilemmas.

Plot Summary

The narrative centers around four aspiring young men from Mumbai—Shankar (Uday Chopra), Rahul (Arya Babbar), Shiva (Parvin Dabas), and Deva (Hrishitaa Bhatt)—who are frustrated with their mundane lives and lack of direction. Eager to break free and enjoy the luxuries life has to offer, they venture into the world of contract killing, or 'supari,' accepting jobs to eliminate targets in exchange for money. Their innocent foray into the underworld, however, quickly spirals into a chaotic and dangerous journey where trust is scarce and betrayal is commonplace. As the story unfolds, the friends grapple with the price of their choices, the threat from rival gangs, and the haunting realization of what their actions have wrought.

Main Cast

  • Uday Chopra as Shankar – The central character whose lust for quick money leads him into the perilous world of contract killing.
  • Parvin Dabas as Shiva – One of Shankar's close friends who partners with him into the supari business.
  • Arya Babbar as Rahul – Another member of the group who joins the contract killing venture.
  • Hrishitaa Bhatt as Deva – Adds to the dynamic of the central group, providing emotional depth to the story.
  • Nandita Das – Plays a pivotal role that significantly impacts the storyline with her powerful and nuanced performance.

Direction and Writing

Director: Padam Kumar helms the film with a keen eye for detail and a raw depiction of Mumbai’s underbelly. His direction effectively captures the tension and emotion that pulse through the story.

Writer: The screenplay and story are crafted by Padam Kumar himself, bringing a compelling, original narrative that explores themes of friendship, crime, and redemption with sensitivity and grit.

Music and Songs

Being a Bollywood production, Supari incorporates a soundtrack that complements the film’s intense atmosphere. The music was composed by Vishal-Shekhar, a well-known composer duo in the Indian film industry. The songs combine contemporary beats with traditional elements, reflecting the juxtaposition of youthful exuberance and the dark world the characters inhabit.

  • "Aaja Mahiya" – A catchy number featuring energetic vocals that capture the youthful spirit and underlying tension of the characters' world.
  • "Nashe Se Jiyara" – This track carries a haunting melody that parallels the characters' descent into addiction—both to substances and to the dangerous lifestyle.
  • "Chori Chori" – A romantic track that stands out against the backdrop of violence, showcasing the vulnerabilities behind tough exteriors.

The singers contributing to the soundtrack include Udit Narayan, Sadhana Sargam, and Sonu Nigam, whose voices bring life and emotional depth to the music.

Critical Reception and Legacy

Upon its release, Supari received mixed to positive reviews. Critics appreciated the film’s bold approach to portraying the grim realities of contract killing and the earnest performances, especially by Uday Chopra and Nandita Das. While some felt the narrative could have been tighter, many applauded its attempt to veer away from typical Bollywood escapism, rooting the story in harsher realities.

Over time, Supari has gained a niche following among fans of crime dramas, recognized for its attempt to explore the moral ambiguities and dangerous allure of the underworld from a youthful perspective.

Conclusion

Supari (2003) stands out as a noteworthy Bollywood crime drama that skillfully blends storytelling, performance, and music to offer a poignant glimpse into the consequences of chasing easy wealth through treacherous means. With its compelling cast, direction by Padam Kumar, and an evocative soundtrack by Vishal-Shekhar, the film remains a compelling watch for audiences interested in gritty narratives and character-driven dramas rooted in India’s cinematic landscape.

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