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The Newlyn School of artists flourished at the beginning of the 20th Century and the film focuses on the wild and bohemian Lamorna Group, which included Alfred Munnings and Laura and Harold Knight. The incendiary anti-Modernist Munnings, now regarded as one of Britain’s most sought-after artists, is at the centre of the complex love triangle, involving aspiring artist Florence Carter-Wood and Gilbert Evans, the land agent in charge of the Lamorna Valley estate. True – and deeply moving – the story is played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.
Duration: 100 min
Released: 2014
IMDb Rating: 5.6/10 (1,836 Votes)
Genre: Biography, Drama, Dubbed Movies, Romance
Stars: Dominic Cooper, Dan Stevens, Jane Cussons, Daphne Neville
Directors: Christopher Menaul
Writers: Jonathan Smith
Year: 2013
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Summer in February (2013): A Poignant Tale of Love and Art in Cornwall
Introduction
Summer in February is a 2013 British biographical drama film that masterfully blends romance and history against the picturesque backdrop of Cornwall's artist colony in the early 20th century. Adapted from Jonathan Smith's 1995 novel of the same name, the film explores a deeply emotional and complicated love triangle among a group of artists during a time when the art world was experimenting with new styles and ideas.
Plot Synopsis
Set in the 1913, on the rugged and beautiful coast of Cornwall, Summer in February chronicles the lives of members of the Newlyn School of artists. At the heart of the story is the passionate and tragic love triangle between painter Alfred Munnings, his best friend Gilbert Evans, and Florence Carter-Wood, a gifted artist herself.
When Gilbert Evans convinces Florence Carter-Wood to come to Cornwall to study art, a deep connection forms between the two. Their bond grows in a community where painters draw inspiration from the natural surroundings and each other's company. However, complications arise when Alfred Munnings enters the picture and becomes enamored with Florence. The interplay of love, jealousy, and artistic ambition serves as the film's emotional core, highlighting themes of loyalty, heartbreak, and the sacrifices made for passion and art.
Main Cast and Characters
Direction and Writing
The film is directed by Christopher Menaul, whose sensitive approach brings both the historical setting and emotional nuance of the story to life. Menaul carefully balances the complex interpersonal dynamics with the aesthetic beauty of Cornwall and the early 20th-century art scene.
The screenplay, adapted by Jonathan Smith (the original author of the novel) and Chris Menaul, ensures that the essence of the novel is maintained while effectively translating the narrative to the screen. The dialogue and characterization ground the film in a real, lived experience without sacrificing dramatic tension.
Visual and Cinematic Style
The cinematography by Richard Greatrex captures Cornwall’s rugged coastline and natural light with a painterly quality, evoking the same inspiration that motivated the characters themselves. The film’s color palette and careful shot composition reflect the influence of Impressionist painting and create an immersive atmosphere that transports the viewer to the summer of 1913.
Thematic Exploration
Summer in February is not only a love story but also a contemplation of artistic integrity, friendship, and the emotional vulnerability behind creativity. The film delves into how personal passion can be both inspiring and destructive. Furthermore, it sensitively examines mental health struggles, poignantly portraying Florence's inner turmoil and the consequences it has on herself and those around her.
Critical Reception
Upon its release, Summer in February received mixed to positive reviews. Many critics praised the performances of Dominic Cooper and Emily Browning, as well as the film’s gorgeous cinematography, which beautifully depicted the Cornish landscape. Some critics noted that the narrative occasionally felt conventional in its romantic drama, yet the historical context and emotional depth provided a rich layering to the story.
Conclusion
In sum, Summer in February is an evocative portrayal of a defining moment in both personal and artistic lives, showcasing the passion and pain entwined in love and creativity. Through strong performances, meticulous direction, and an authentic adaptation of a beloved novel, it stands out as a compelling period drama.
For viewers interested in romantic dramas, biographies, or art history, this film offers a beautiful and nuanced glimpse into early 20th-century British art circles, heightened by the timeless exploration of human relationships.
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