Malamaal Weekly (2006)


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Malamaal Weekly (2006)

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Laholi is a small village in India whose inhabitants are poor, simple-minded, and are used to their lives being controlled by the dictatorial Landlord, Thakurain, and her brother, Baj Bahadur. Although Lilaram is the one with the highest educational qualifications, he is unable to secure any job. He decides to make a living selling lottery tickets, especially the Delhi-based Malamaal Weekly, but is barely able to make ends meet. Then one day he finds out that one of his lottery tickets is a winner. He concocts a scheme with his wife, which involves pawning her pet goat with the Thakurain, getting people together for a feast, so that he can get their tickets back – all in vain. Then he finds out that the only one who was absent was the town drunk, Anthony Fernandes. When he goes to Anthony’s house he finds him dead, happily clutching his winning lottery ticket. When Lilaram tries to take the ticket from Anthony’s hand, another villager, Balwant, happens to come by, both of them compromise and decide to share the one crore prize. They decide to toss the body in the river. Then Kanhaiya, who wants to marry Lilaram’s daughter, Sukhmani, comes by, he overhears, and is also made a partner. Kanhaiya is asked to dispose off the body, which he does. The next day when Lilaram telephones the lottery office, he is told that Anthony had already phoned in his winning number. Lilaram, Kanhaiya, and Balwant rush to get Anthony’s body back, which they find perched on a tree, as Kanhaiya had not done a good job. They take the body back and it is there that they are met by Anthony’s estranged sister, Mary, who also knew about the winning ticket. After a few clarifications, Mary, her husband, and her child are also made partners. Then the sky literally falls on them when they find several village businessmen, to whom Anthony owed money, assembled in front of the house to collect their dues. They too are inducted as partners and then begins the trial of convincing the Lottery Inspector, Jayesh Agarwal, that Anthony is alive. Watch hilarious chaos unfold when Baj Bahadur, who also wants to marry Sukhmani, finds out about the winning lottery ticket.

Duration: 137 min

Released: 2006

IMDb Rating: 6.7/10 (2,374 Votes)

Genre: Comedy, Drama, Hindi Movies, Romance

Stars: Om Puri, Paresh Rawal, Ritesh Deshmukh, Reema Sen

Directors: Priyadarshan

Writers: Manisha Korde, Priyadarshan, Chandu Shah

Year: 2006

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Malamaal Weekly (2006) - A Humorous Take on Small-Town Life

Introduction:

Malamaal Weekly is a 2006 Hindi-language film that perfectly blends comedy, drama, and romance into an entertaining watch. Directed by Priyadarshan, the movie boasts a stellar ensemble cast comprising some of Bollywood's finest actors. Rooted in the backdrop of a sleepy village, this film takes a closer look at human desires and the humorous situations that arise when greed and luck intertwine.

Plot Summary:

Set in a quaint village, the storyline revolves around Mangilal (played by Paresh Rawal), a simple and honest man who serves as the local lottery ticket agent for the weekly lottery called Malamaal Weekly. It is well-known in the village that no one has ever won this lottery, so the tickets have very few buyers. However, Mangilal eagerly keeps selling these tickets, hoping that the jackpot will one day go to his town.

As fate would have it, the jackpot finally hits—in the village! But in typical comedic fashion, chaos ensues when the winner, who is the notorious drunkard and village troublemaker Kanhaiya (Arbaaz Khan), dies suddenly before he can claim his prize. Mangilal discovers the news and, fearing both the loss of the jackpot and the wrath of the villagers, concocts an elaborate plan involving impersonations, deception, and some luck to distribute the money and keep everything under wraps.

The movie eloquently explores themes like greed, friendship, deception, and community spirit, all while delivering punchy comic sequences and poignant moments that create a delightful cinematic experience. The romance subplot adds additional layers of emotions and laughter, making the film much more engaging.

Main Cast:

  • Paresh Rawal as Mangilal, the lottery ticket seller and protagonist whose life takes a chaotic turn.
  • Om Puri as the village priest, lending wisdom and comic relief throughout the film.
  • Arbaaz Khan as Kanhaiya, the drunken gambler whose unexpected victory sparks the entire plot.
  • Reema Sen as Shyama, adding romance and emotional depth to the storyline.
  • Sudha Chandran, Rajpal Naurang Yadav, Riteish Deshmukh, and Govardhan Asrani in prominent supporting roles, each enhancing the village setting and narrative with their distinct characters.

Direction and Writing:

Priyadarshan, known for his deft touch in making laugh-out-loud comedies, directs the film with his signature style—combining slapstick humor with sharp dialogues and situational comedy. The screenplay, adapted and written by Priyadarshan himself, is inspired by the Malayalam film 'Marykkundoru Kunjaadu.' With witty dialogues and well-executed situational humor, the writing ensures that each character shines in their respective moments while driving the plot forward seamlessly.

Music and Songs:

Being a Bollywood movie, Malamaal Weekly incorporates a melodious soundtrack that complements its rural ambiance. The music is composed by Pritam, one of the most renowned music directors in Bollywood, known for his catchy tunes and versatility.

  • "Jhoot Bol" – Sung by Sunidhi Chauhan, this upbeat track blends folk beats with modern rhythms, reflecting the playful and deceptive tones of the film.
  • "Salaam E Ishq" – A romantic number sung by Alka Yagnik and Sonu Nigam that beautifully captures the blossoming love story within the film’s narrative.
  • "Malamaal" – The title track, composed with lively instrumentation and village vibes, adds to the setting's authenticity.

The songs, while not overly extravagant, provide the right emotional and cultural texture to the movie and have enjoyed moderate popularity among audiences.

Critical Reception and Legacy:

Malamaal Weekly was well-received for its humor and relatable storyline. Critics praised Paresh Rawal's performance as heartfelt and hilarious, embodying the everyman caught in an extraordinary situation. The ensemble cast's chemistry brought the village to life with genuine warmth.

The film stands out for its ability to paint a vivid picture of small-town India—the aspirations, superstitions, and vibrant dynamics among its residents—all wrapped in a comedic presentation that appeals to a broad audience.

Conclusion:

In summary, Malamaal Weekly is a delightful Bollywood comedy-drama that intelligently marries humor and heart. With stellar performances by Paresh Rawal and a talented supporting cast, along with Priyadarshan's expert direction and Pritam’s engaging music, the film remains a memorable and enjoyable addition to the genre.

Whether you are a fan of Bollywood’s unique flavor of storytelling or simply looking for a film that celebrates the quirks of small-town life with good laughs and emotional moments, Malamaal Weekly is certainly worth watching.

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