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The film is an anthology of three stories from Far East India, each exploring a different stage of human life . The first story is about a child, who on escaping from a rebel camp hijacks a car, transpiring in a journey that unravels her plight and prods deep into traumatic issues of children involved in armed conflicts. The next story is about a boy, a drug peddler, and his journey into the drug world. It simultaneously explores the life of his grieving mother while delving into the region that has become synonymous with drug trade. The third story is about a man, an elephant poacher, who ends up killing 15 elephants to fend for himself and his young wife. It explores his treacherous life and the murky powers that control this abhorrent business.
Duration: 127 min
Released: 2017
IMDb Rating: 7.9/10 (15 Votes)
Stars: Subrat Dutta, Indraneil Sengupta, Mandakini Goswami, Amrita Chattopadhyay
Directors: Sanjib Dey
Writers: Tasadduk Ahmed, Sanjib Dey, Dev Gupta
Year: 2017
III Smoking Barrels is a 2017 Indian movie that tantalizes viewers with its compelling storytelling and profound social commentary. Set against the scenic yet complex backdrop of Northeast India, this film weaves together multiple narratives that explore themes such as insurgency, smuggling, and the innocence of youth caught in turbulent times. Directed and written by Sanjib Dey, III Smoking Barrels offers a heartfelt depiction of human struggles and resilience, making it a standout piece in contemporary Indian cinema.
About the Movie:
III Smoking Barrels is a multi-narrative drama that unfolds through three interconnected stories rooted in the socio-political landscape of Northeast India. The film delves into the lives of people who grapple with conflict, poverty, and dreams for a better life. The title metaphorically refers to the "smoking barrels" of guns, symbolizing violence and unrest, but the film also illuminates the human spirit amid this strife.
The first narrative follows a young boy from a remote village who treads the dangerous path into the murky world of armed insurgency. The second story showcases the challenges faced by a tea plantation worker caught in the crossfire of drug smuggling and the law, and the third thread portrays a child trafficker whose conscience is touched by innocence and redemption. These interwoven tales remarkably capture the nuances of life in a region often neglected by mainstream cinema.
Main Cast and Performances:
Director and Writer:
Sanjib Dey helms III Smoking Barrels as both director and writer, bringing his vision to life with an empathetic and realistic approach. His background and commitment to telling stories from Northeast India lend the film its authenticity and powerful voice. Dey’s writing balances multiple storylines expertly, allowing each to resonate individually while contributing to a cohesive whole.
Genre and Style:
This film largely fits within the drama genre, combining elements of socio-political narrative and human interest stories. The tone is serious and often emotionally charged, but it is imbued with moments of tenderness and hope. The filmmaking style focuses on naturalistic performances, subtle cinematography highlighting the stunning landscape of the Northeast, and dialogues that reflect the local culture without superficiality.
Music and Soundtrack:
While III Smoking Barrels is a cinematic tribute to a region often overlooked, it is not primarily focused on song and dance sequences common in Bollywood films. Instead, the movie employs a poignant score that enhances the mood and emotional depth of the narratives. The sound design includes folk motifs that echo the native sounds and rhythms of the Northeast, effectively grounding the storytelling in its cultural context.
Critical Reception and Impact:
III Smoking Barrels has been praised for its bold storytelling, compelling performances, and the spotlight it shines on Northeast Indian issues rarely portrayed in mainstream cinema. Critics have appreciated the film’s refusal to romanticize or stereotype the region, instead presenting a balanced and humanized perspective. Its nuanced screenplay and direction have been lauded for raising awareness about insurgency, child trafficking, and the socio-economic hardships endemic to the area.
Conclusion:
Overwhelmingly human and deeply rooted in social reality, III Smoking Barrels is a film that invites reflection and empathy. It stands as a testament to the power of cinema to narrate stories from marginalized regions and communities, making visible the invisible struggles of many. With strong performances by Subrat Dutta and Indraneil Sengupta, guided by Sanjib Dey’s insightful writing and direction, the film remains an important piece of Indian independent cinema.
If you are interested in stories from diverse parts of India told through sensitive, well-crafted cinema, III Smoking Barrels is a must-watch. Its raw emotionality, coupled with its socio-political relevance, makes it a unique cinematic experience that resonates far beyond its setting.
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