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Vikram Pandit (Arunoday Singh) a student of the Indian Institute of Business becomes the blue-eyed boy of Professor Jamshed Batki (Anupam Kher). Under Batki’s influence Vikram starts public discoursing and publishing articles under his own name that are authored by Batki himself. The articles, which deal with the plight of the poor in India, are posted on his Blog as well as Facebook. The story mirrors the agony of the deprived in India. The problem is primeval but the remedy must be contemporary. Vikram offers a modern day solution that can bypass all red tape and political hurdles. Promoting and facilitating an idea where trust deficit can be minimized… How a radical business model can effectively replace stagnant policies… How a collective will and might of monetary resources can fast track results. Gradually as under-layers of the story surface and veils are lifted from the faces of people around him, Vikram realizes what he is up against; he must find a way out of the cesspool he has got himself into, where his own life is at stake now… and everyone around him a suspect
Duration: 108 min
Released: 2016
IMDb Rating: N/A/10 (N/A Votes)
Genre: Crime, Hindi Movies, News, Thriller
Stars: Anupam Kher, Arunoday Singh, Mahie Gill, Pallavi Joshi, Aanchal Dwivedi
Directors: Vivek Agnihotri
Writers: Rohit Malhotra, Writer: Vivek Agnihotri
Year: 2016
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Buddha in a Traffic Jam is a gripping Indian crime thriller film released in 2016. Directed and written by Vivek Agnihotri, this movie delves into complex socio-political themes set against the backdrop of contemporary India. The film combines intense drama with a layered narrative, delivering a thought-provoking experience for viewers interested in crime and societal issues.
The film's story is centered around the intricate web of corruption, intellectual upheaval, and political machinations. It portrays the challenges faced by the idealistic protagonist as he navigates through a world riddled with conflict and moral ambiguity. The title itself is metaphorical, symbolizing the entangled situations and ideological paralysis that pervade modern India, often restrained by bureaucracy and middlemen.
Main cast and characters:
The cinematography effectively captures the contrasting atmospheres of academic institutions and tumultuous political environments, enhancing the movie's intense and immersive mood. While primarily a thriller, the film also delves into intellectual debates and conflicts, critiquing certain ideological stances prevalent in India’s spheres of thought and activism.
Director and Writer: Vivek Agnihotri is both the director and writer for "Buddha in a Traffic Jam." Known for his bold storytelling and provocative themes, Agnihotri crafts a sharply focused screenplay that challenges conventional narratives. His direction channels nuanced performances and steady pacing, ensuring the movie’s complex subject matter is accessible without sacrificing its intensity.
Being a Hindi-language film, "Buddha in a Traffic Jam" engages deeply with the socio-cultural context of India, providing not only entertainment but also reflection on contemporary issues. The film’s score and background music lend an atmospheric quality that heightens tension and emotional resonance, though it does not primarily emphasize musical numbers since it is not a typical Bollywood musical.
Critically, the film sparked varied reactions, with some applauding its courageous exploration of politically sensitive topics, while others debated its portrayal of certain groups and ideologies. Its thriller genre neatly fits with the investigative and suspenseful tone throughout the runtime, around which the plot steadily unfolds.
In summary, "Buddha in a Traffic Jam" is a significant work in modern Indian cinema that combines elements of crime, thriller, and socio-political commentary. With a powerful cast led by Anupam Kher and Anchal Dwivedi, and the visionary direction and writing of Vivek Agnihotri, it offers audiences a provocative exploration of the intersections of politics, ideology, and espionage in India today.
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