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Barah Aana is a comedy of real life, set in today’s Mumbai. The story revolves around three unlikely friends: a driver (Shukla), a watchman (Yadav), and a waiter (Aman). The driver is an older man, stoic but dependable. The watchman, in his 30s, is a pushover at work but otherwise mischievous. The waiter is a young, swaggering chap, brimming with ambition. Living together, their differing attitudes spark playful banter. At some point, misfortune befalls the watchman and, due to a series of chance events, he stumbles into a crime. Striking upon a seemingly low-risk way to make good money, and discovering a new sense of self-confidence, he tries to entice the others to join him in a series of such crimes. Cat and mouse games ensue between the three as personalities change, but events soon spiral out of control, leading them in a direction none of them had wanted to take… Featuring a talented ensemble cast, Barah Aana is based on an original script. The running time is 97 minutes.
Duration: 97 min
Released: 2009
IMDb Rating: 6.9/10 (484 Votes)
Genre: Comedy, Crime, Drama, Hindi Movies
Stars: Arjun Mathur, Naseeruddin Shah, Vijay Raaz, Violante Placido
Directors: Raja Menon
Writers: Raj Kumar Gupta, Raja Menon
Year: 2009
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Barah Aana (2009): A Unique Blend of Comedy, Crime, and Drama
Introduction
Released in 2009, Barah Aana is a remarkable Hindi-language film that brilliantly combines elements of comedy, crime, and drama. Directed by Raja Krishna Menon, it offers an engaging and thought-provoking narrative that has intrigued audiences and critics alike. The film showcases the gritty realities of urban life with a humorous twist, making it a standout entry in the Bollywood crime dramedy genre.
Plot and Themes
The story of Barah Aana revolves around three close friends—Vishnu, played by Naseeruddin Shah; Ratan, portrayed by Vijay Raaz; and Aslam, by Rajat Kapoor. The film chronicles their lives as everyday Delhi dwellers struggling to make ends meet. Their limited financial resources compel them to take unconventional and ethically ambiguous steps to improve their livelihood.
Vishnu works as a chauffeur, Ratan is a porter, and Aslam is a waiter. Despite their honest attempts to live lawful lives, economic pressures push them towards crime. The plot thickens when they decide to smuggle counterfeit goods pretending to be carrying goods worth a 'Barah Aana' (which literally means 12 annas, an old Indian monetary unit), symbolic of their small-scale ambitions turning into complex troubles. The narrative explores the challenges faced by the lower middle class, capturing the nuances of friendship, survival, and morality with an engaging mix of humor and drama.
Direction and Writing
Raja Krishna Menon, the director of Barah Aana, also serves as the writer, effectively crafting a script that balances humor with the harsh realities of economic disparity. Menon's direction is confident and subtle, focusing on story-driven content rather than cinematic extravagance. The screenplay is tightly knit, emphasizing the relationships of the three lead characters without unnecessary subplots. This focus allows the film to explore socioeconomic themes within an entertaining framework.
Cast and Performances
Alongside the leads, the supporting cast also contributes effectively to the realism and texture of the film, grounding its narrative in a believable environment.
Music and Soundtrack
As a Hindi film from 2009, Barah Aana features a modest but impactful soundtrack that complements its narrative tone. The music was composed by Hitesh Sonik, with lyrics that reflect the themes of struggle and hope inherent in the story.
The songs in the movie primarily serve to enhance the mood and are woven seamlessly into the storyline rather than being elaborate musical numbers. Some notable tracks include:
While the soundtrack doesn't follow typical Bollywood grandeur, it effectively complements the film's grounded, character-driven narrative.
Critical Reception and Legacy
Barah Aana was praised for its realistic portrayal of the struggles faced by India's lower-middle-class youth and its smart balance of humor and social commentary. Critics lauded the performances of the main trio, particularly Naseeruddin Shah and Vijay Raaz, whose on-screen chemistry brought authenticity to the story.
The film stands out as an example of offbeat cinema in Bollywood, steering away from formulaic storytelling to deliver a compelling socio-economic narrative that resonates with audiences seeking meaningful stories blended with entertainment.
Conclusion
Barah Aana is a compelling cinematic venture that manages to be both entertaining and thought-provoking. With strong direction by Raja Krishna Menon, a powerful script, and exceptional performances from its main cast—Naseeruddin Shah, Vijay Raaz, and Rajat Kapoor—it offers a unique perspective on friendship, survival, and ethical ambiguity in urban India. Its subtle yet impactful soundtrack complements the narrative, making it a memorable experience for audiences interested in socially conscious cinema with a touch of humor.
For viewers exploring Hindi cinema beyond the usual commercial fare, Barah Aana is undoubtedly worth watching.
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