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Miles of twisting catacombs lie beneath the streets of Paris, the eternal home to countless souls. When a team of explorers ventures into the uncharted maze of bones, they uncover the dark secret that lies within this city of the dead. A journey into madness and terror, As Above, So Below reaches deep into the human psyche to reveal the personal demons that come back to haunt us all. Written by John Erick Dowdle and Drew Dowdle (Quarantine, Devil) and directed by John Erick Dowdle, the psychological thriller is produced by Thomas Tull, Jon Jashni, Drew Dowdle and Patrick Aiello. Alex Hedlund serves as the executive producer.
Duration: 93 min
Released: 2014
IMDb Rating: 6.1/10 (13,164 Votes)
Genre: Dubbed Movies, Horror, Thriller
Stars: Perdita Weeks, Ben Feldman, Edwin Hodge, François Civil
Directors: John Erick Dowdle
Writers: Drew Dowdle, John Erick Dowdle
Year: 2014
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As Above, So Below (2014): A Riveting Descent into the Catacombs Beneath Paris
Introduction
Released in 2014, As Above, So Below is a chilling blend of horror and thriller that plunges viewers into the dark, claustrophobic tunnels beneath Paris. This American found-footage horror film directed by John Erick Dowdle combines elements of mystery, adventure, and supernatural terror to deliver a unique cinematic experience. The film is particularly notable for its atmospheric setting in the real Paris Catacombs and its intense storyline that capitalizes on fear of the unknown.
Plot Synopsis
The movie follows a young and ambitious woman named Scarlett Marlowe (played by Perdita Weeks), a scholar and expert in ancient manuscripts who is obsessed with uncovering the philosopher's stone, an alchemical substance purported to transform base metals into gold and grant eternal life.
Driven by her late father's quest and her own determination, Scarlett assembles a team of explorers, including her ex-boyfriend George (Ben Feldman), a cameraman Benji (Edwin Hodge), and an experienced French guide named Papillon (François Civil). Their search takes them into the Paris Catacombs, a vast labyrinth beneath the city housing the remains of millions of people.
As they navigate the catacombs, the group encounters terrifying supernatural phenomena linked to their personal demons and the history of the tunnels. The film explores themes of guilt, redemption, and the notion of the underworld, as the team faces harrowing trials that test their sanity and survival.
Direction and Writing
As Above, So Below is directed by John Erick Dowdle, known for his work on other horror films such as The Pyramid and Devil. Dowdle's approach emphasizes claustrophobic tension and psychological horror, often using handheld camera techniques typical of found footage films that make the audience feel embedded within the action.
The screenplay was co-written by John Erick Dowdle and Drew Dowdle, his brother. Their writing effectively combines elements of historical myth, horror, and character-driven drama, enriching the conventional found-footage horror style with a more intricate narrative and philosophical underpinnings.
Main Cast
Atmospheric Setting and Cinematography
One of the standout features of As Above, So Below is its authentic use of the Paris Catacombs as its setting. The filmmakers were able to shoot in the actual tunnels, enhancing the film's realism and immersive quality. The catacombs—a maze of skull-lined passageways and shadowy corridors—serve as a perfect backdrop for horror, instilling a sense of dread and disorientation.
The cinematography uses a found-footage style handheld camera, creating a raw and intimate experience. The lighting is minimal and naturalistic, emphasizing shadows and darkness, and amplifying the fear of what might lurk unseen.
Themes and Symbolism
As Above, So Below draws upon alchemy, mythology, and personal psychology to explore its horror narrative. The title itself references an ancient Hermetic axiom meaning that the earthly reflects the celestial—a motif seen throughout the film’s journey into the underworld and the characters' confrontation with their subconscious fears and past mistakes.
As the characters descend physically into the catacombs, they also descend metaphorically into their own personal hells. This interplay between external and internal struggle adds depth to the film's scares and keeps the audience invested beyond mere jump scares.
Reception and Impact
The film received mixed to positive reviews for its atmosphere, setting, and unique location but drew criticism for some aspects of its plot and conventional horror devices. Nevertheless, it has gained a cult following for its fresh take on the horror genre, especially for fans who appreciate a blend of thriller elements with supernatural mystery.
Conclusion
As Above, So Below (2014) stands out as an imaginative and unsettling horror film, noteworthy for its authentic location, strong lead performance by Perdita Weeks, and a compelling mix of myth, suspense, and psychological drama. Directed by John Erick Dowdle and brought to life through his and Drew Dowdle’s writing, it invites viewers not just to witness horror, but to experience an emotional and spiritual journey beneath the surface of human fears and legends.
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